Tag Archives: joshua marie wilkinson

Sonora Review Community Reading Event @ Plush

Come join Sonora Review on Wednesday, July 13 for the kickoff event of their first ever Community Reading Series.  This event is FREE and open to the public and features three local authors who will read from their work of poetry and nonfiction, with musical performances to follow by Bass Tax and Havarti Orchestra:

Authors:
Jamison Crabtree serves on the POG board of directors and edits poetry for SporkPress.  His work appears in LIT, Handsome, Hayden’s Ferry Review, PANK, Makeout Creek, kill author, and many other wonderful places.

Daisy Pitkin grew up in rural Ohio with her three brothers.  For the last 10 years, she has worked as a rebel rouser, campaign director, contract negotiator, and campaign writer supporting the organizing efforts of garment and industrial laundry workers around the world.  She mainly writes nonfiction.

Joshua Marie Wilkinson’s recent works are Selenography, with Polaroids by Tim Rutili (Sidebrow Books 2010); Made a Machine by Describing the Landscape, a film about Califone (IndiePix Films 2011), and Poets on Teaching (University of Iowa Press 2010).  His next book, Swamp Isthmus, is forthcoming from Black Ocean (2013).  He teaches in the MFA program at the University of Arizona.

Tucson’s own Brass Tax and Havarti Orchestra will provide music after the reading.  Both bands create a unique style of music with an unconventional setup and instrumentation.

Sonora Review, edited and produced by University of Arizona Creative Writing graduate students, is a nationally distributed biannual literary journal publishing prose and poetry from both established and emerging writers.  Founded in 1980, it is one of the oldest student-run literary journals in the country.

Please come out for a good time and support Sonora Review.


People We Love

Jamison Crabtree

Jamison Crabtree will be headlining the Sonora Review Community Reading Event on July 13 at Plush, along with Daisy Pitkin and Joshua Marie Wilkinson.  For more information go here.

A native Virginian, Jamison originally moved to Tucson to study poetry at the University of Arizona but returned because of the city’s vibrant literary culture.  For the past year, he’s volunteered at the UA Poetry Center, edited poetry for Spork Press, and served on the POG board of directors.  His poetry appears in LIT, PANK, Handsome, Hayden’s Ferry Review, Best New Poets 2009, elimae, No Tell Motel, Makeout Creek, and many other wonderful places.

Jamison’s currently working on a book of laments inspired by unlamentable subjects, specifically movie monsters.  In much of his work, he tries to constantly shift between emotional registers, moving sharply between moments of playfulness and moments of cruelty.  For example, this excerpt from “Lament for the Man Who Changed his Mind” which originally appeared in >kill author:

Let’s forget our lives. Let’s start at our birth and work our way back

out of the screaming. I gave up

my body to whatever would let me forget it

and I woke up with thirty seven scars.

Each with its own story: this one I was born with

(and the rest as well).

And another example that first appeared in issue 2 of Poor Claudia:

below this song, this dance

A bowl of bones: fibulas nicely stacked and it’s noon out. We slip, we slip—undo the buckle and unzip. Unhook! Noon and the lawn moaning as it grows shorter push by push. Your belt, serpentine, sleeping under my yellow dress. For example, the blinds so deft at whispering shut our secrets. We wear them in our scent. The pale sheets flayed off the wounded bed. Red is understated, like: if you don’t murder me soon, then we’ll have to put it off until later.

Jamison hopes to finish the manuscript of monster laments this summer before leaving Tucson and to begin a book-length poem inspired by the American landscape and fairytales. This August, he’ll begin studying English at UNLV as a Black Mountain Institute PhD fellow.


People We Love

Plush

First, Plush is hosting the Sonora Review Community Reading Event, which is taking place next Wednesday–July 13.  The reading will feature Tucson stalwarts such as Joshua Marie Wilkinson, Daisy Pitkin, and Jamison Crabtree, as well as music by Havarti Orchestra and Brass Tax.  Information about the reading can be found here.

When Plush isn’t hosting awesome events for us, it remains an excellent bar with a fancy indoor lounge, casual outside patio, and many concerts.  Plus, it’s situated comfortably on 4th avenue and provides ample parking.  Here’s more about this Tucson staple, from their own website:

Can you say libations? PLUSH is enheartened by quality drinking. We’ve got premium well drinks, a large selection of calls and top shelf beverages, wines by the glass or bottle (sorry, no box wines), premium drafts, and yeah, we got Bud too. We also have a very talented bar staff to make up your favorite cocktails with REAL juice. We take credit cards and money, but no personal checks. All of this is pretty easy on your wallet as prices are reasonable and we have many drink specials, too.  Dynamic and comfy! Plush, yet affordable! Come hither and partake.

Thank you, Plush.  We Love You.  Sonora Review

People We Love

Joshua Marie Wilkinson

Joshua will be reading at the Sonora Review Community Connection Summer Reading, which is happening at Plush on Wednesday, July 13.  He will be joined by nonfiction maven Daisy Pitkin, who we profiled last week, and poet Jamison Crabtree, who will be featured on this blog June 30th.

Born and raised in Seattle, Joshua Marie Wilkinson is the author of five books of poetry, several chapbooks, and has edited two anthologies (of essays, poetry, and conversations) for University of Iowa Press.  After longer and shorter stints in Ankara, Bratislava, Dublin, Denver, and Chicago, he recently moved back to Tucson to join the MFA faculty in creative writing.

His first film is a tour documentary about the band Califone—called Made a Machine by Describing the Landscape and co-directed by Solan Jensen—and was just released by IndiePix Films this past spring.  Watch the trailer below and visit here for more information or to purchase.

Currently, he is working on a five-book sequence of poetry called No Volta. The first of that series, entitled Selenography, was published by Sidebrow Books last year and features Polaroids by Califone’s Tim Rutili.  A sample:

“an owl breaks the
fold a cut tree spills

a soft crutch
hits

this dust
a freezer stocked
with I

happened
to myself in these very woods.”

Also, the next work in the above-mentioned pentalogy, called Swamp Isthmus, is forthcoming from Black Ocean.   An excerpt from that forthcoming book:

from “Cordial Disappearances”

we stand in for
the moon carry a

slide rule
to the yard under

logging noise
takes practice how
to carefully open

this door with your
eyes down & your colors

intact we put our

clothes back on

slowly before

our laughter turns
us into somebody else’s

In addition to this incredible output, Joshua still has a new chapbook, In the Trade of Alive Letters Mis-sent, is recently out from Brave Men Press.  Plus, he has new poems are out in Lana Turner, New American Writing, Conduit, our very own Sonora Review, and many others.   Lastly, check out his website here.


What? Were We There? (or) Crank It Up and Go For It

Whitney DeVos and Benjamin Rybeck, Co-Editors-in-Chief, at AWP, 2011

Well, the Sonora Review staff is now back from scary D.C. and tucked into our soft Arizona sand beds. Tucson is cheap. D.C. is not. Great to see Our Nation’s Capital and all, but, my God, D.C. is most certainly not cheap.

This year’s trip to AWP involved Sonora Review getting rid of every single issue and broadside we brought with us. We didn’t even have to give that many away. Issue 58, hand bound by Spork Press, was especially popular, so thanks much to Drew Burk, Jake Levine, and Jon Walter for all the hard work they did to make that book fucking awesome.

Then, our Madam’s Organ reading: yikes. We were sad that Kate Bernheimer, Kevin Canty, Ryan Courtwright, and Nick Flynn couldn’t make it, but we still wielded some Ed Skoog, some Michael Martone, some D.A. Powell, some Joshua Marie Wilkinson, some Joshua Furst, and some Aurelie Sheehan, so it was all good. Also, Kate Bernheimer unleashed a storm upon the world: knowing she would not be able to make it, she asked Brian Oliu to read her piece for her; he also read one of his own pieces, published in Sonora Review 58. Brian Oliu rocked the party in a neon-inflected track jacket. His piece was moving. His reading was stellar. Brian Oliu is the real deal, a rising star, and a prince.

Anyway, our room at Madam’s Organ filled up faster than we imagined it would. Apologies to those who couldn’t get in. And special thanks to the staff of Madam’s Organ – and, especially, thank you Hanna – for making the night smooth and fun.

Also, after eating the worst meal of our lives at Basil Thai, the city of D.C. made up for it by gifting us with the nicely named Bistro Bistro, where spent 12 hours after the conference on Sunday drinking for discounted prices and eating free sliders and watching the game. We think the staff took pity on us since we were carrying around about three bags of luggage each and told them that we didn’t have a hotel room for that night, but if pity yields some good food in a nice restaurant (a favorite of University of Arizona president Sheldon, we’re told) and a ride to the airport in the owner’s BMW 750, then pity can’t be all bad.

Oh – and also, the University of Arizona Poetry Center was nice enough to let us share their booth. So thank you to Gail, Cybele, and Renee. Cybele did a great flickr rendition of AWP fashions. Check it out.

Personally, I remain just a little confused by AWP. It’s a trade conference for something that ought not be a trade. For every day I spent at AWP, I couldn’t help but think of how much writing I could have gotten done if I’d stayed home.

But while I’m sure there were some douchebags wandering around the conference handing out their business cards and sucking up to editors, etc. etc., I didn’t meet a lot of them this year. Instead, what struck me was that so many people seemed to be just as confused as I was, yet didn’t let this bother them. AWP seemed filled with people who genuinely gave a shit about writing. And not as some professional blah blah blah either (although a little $$$ is always nice). Rather, everybody I met at the conference seemed excited to talk about books. They all seemed to get off on words. And this, believe me, was marvelous.

So, here’s to the book. And I’d like to give a final shout out to the folks at Table X - especially Ugly Duckling Press H.O.W., Electric Literature, Hobart, and Ninth Letter, whose books and literary publications I found particularly striking, and who are doing interesting stuff with the literary journal as art.

One of the nicest things about this conference was that it showed the book as aesthetic object as making a return. So let’s not give up on these book things yet. Let’s take them out for another spin and see what they can do.

- Benjamin Rybeck

Poetry Center Events

“The Relenting” by poet Lisa Gill: A staged reading with Lisa Gill and MFA alum Matthew Conley: Sunday, Nov 21, 2:00 pm

Shop Talk discussion about Joshua Marie Wilkinson, led by MFA alum Ari Zwartjes: Monday, Nov 29, 6:00 pm

“The Contemporary Fairy Tale”: Reading and panel with Kate Bernheimer et al.: Wednesday, Dec 1, 8:00 pm

Alumni Reading: Joshua Marie Wilkinson (poetry) and Kate Bernheimer (fiction): Friday, December 3, 8:00 pm

Writing Seminar: “Ancient Images and Threads,” taught by JM Wilkinson ($60): Saturday, December 4, 1:00 pm