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In Southern Arizona Since 1980

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vanishing point: not a memoir

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How to Cut the Fat: A Variation of Moore | Claire Tafoya

You shuck oysters, separate herbs from their stems, brush dirt and scrape the gills from mushrooms. You dice onions, slice garlic, shave

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In which the Fishtank is | Chaelee Dalton

After Jennifer S. Cheng  1: the sea captured in a glass 2: a homophone for having enough for leftovers, a synonym for abundance

0214.5K views

To Undesolate Another: The Surrealism of Jonathan Lethem’s “The Arrest”｜James Butler-Gruett

The Arrest, in all its surreal narrative trappings, supercars, and Hollywood theatrics, wants to know if words can save us in a

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“Colluvium” | Meredith Clark

Winner of the EXTINCTION Essay Contest, selected by Lacy M. Johnson

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    My Mother is in My Ear Again | Whitney Egstad

  • Sonora Review

    Cicada (for S., H., S. & C.) | Jo O’Lone-Hahn

  • Masha Izosimova

    Nene | Ángel García

© 2021 All rights reserved.

Sonora Review is among the oldest student-run literary journals in the country, and has been devoted since its founding in 1980 to offering a venue for exciting new and emerging authors, as well as prominent southwestern writers and artists.

In previous issues we have featured work by Aimee Bender, Joy Harjo, and Maggie Nelson, and our editors have included Antonya Nelson, Richard Russo, and David Foster Wallace. Work originally printed in Sonora Review has appeared in Best of the West and Best American Poetry, and has won O. Henry Awards and Pushcart Prizes.
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