CHARLES YU is the author of three books, including the novel How to Live Safely in a Science Fictional Universe, which was a New York Times Notable Book and named one of the best books of the year by Time magazine. He was nominated for two WGA awards for his work on HBO’s Westworld and
Read MoreNon-Contest Submissions: “Desire” (Issue 75) UPDATE: We have re-opened non-contest submissions for fiction, nonfiction and poetry for the next two weeks, until Saturday, November 10th, 2018. Submit! Contest Submissions: “Desire” (Issue 75)
By: Taneum Bambrick Anders Carlson-Wee is a 2015 NEA Fellow, 2015 Bread
What is it about the genre or cross-genre you write in that
Today we announce the opening of our 2018 fall reading period in fiction, nonfiction, and poetry! We accept submissions of four to eight pages in poetry, up to 6,000 words in fiction, and up to
Today we announce the opening of our 2018 fall reading period for flash prose! Please submit work 1000 words or less. Due to their length and higher frequency of publication, these pieces
My mother’s little treasure lay hidden in a blue, faux leather jewelry box, just large enough to have once held a ring or, perhaps, a pair of earrings. I found it nestled
CHARLES YU is the author of three books, including the novel How to Live Safely in a Science Fictional Universe, which was a New York Times Notable Book and named one of the best books
Sonora Review is proud to announce the winner of our 2018 Poetry contest. The winner will receive $1000 and publication in SR Issue 74, themed The Future, forthcoming this summer. The editors
Sonora Review is proud to announce the winners of our 2018 Fiction and Essay contests. Each winner will receive $1000 and publication in SR Issue 74, themed The Future, forthcoming this summer.
What is it about the genre or cross-genre you write in that interests you/draws you in? I’m drawn to forms animated by what Viktor Shklovsky called ostranenie, or “making strange”—sometimes translated as “estrangement” or
The nurses forbid us from touching our feet to the floor. We were to stay in bed. So we made the tiles below a river and rode our mattresses across them like
ERIN ADAIR-HODGES is the winner of the 2016 Agnes Lynch Starrett prize for Let’s All Die Happy (University of Pittsburgh, 2017). Winner of The Georgia Review’s Loraine Williams prize, she’s also been a Bread Loaf-Rona
What is it about the genre or cross-genre you write in that interests you/draws you in? I think there’s a sort of connection to the kinds of stories I write now and
