After Jennifer S. Cheng 1: the sea captured in a glass 2: a homophone for having enough for leftovers, a synonym for abundance 3: the fish, who have already forgotten you. It’s not personal 4: where memory fails, there’s still imagining 5: you. Not as an ocean but outside 6: glass and/or acrylic
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* Voltage-gated pathways are depolarizedand pore-forming membrane proteinsallow calcium influx from adjacent solutions. (Cell insides become saturated) Excitation is mossy fiber runningsouthbound head-stems and paired shootsthrough once-relaxed tissue. * You’ve established rules,preventative
What separates us from our lives / is a see-through thing. /
After 100 days learning German on Duolingo.com Your cow is pretty. I
the newspaper boy once told melove is loud. scream three times each day, and someone will at least feed you: sugar-snap peas thrown, showeringlike hail, macadamia nutsscattered like words, even safflower seeds sprinkling the nest of
To think there is such a thingas a good dayis to neglect the sun’s eternal indifferenceto the clouds and fogthat bottle it up invisibleand block its raysfrom reaching our foreheads. What kindof
(Where neither photography nor sketching were allowed) I. The freighted thud of a rock hitting an ice sheeted pond. No crack. White shavings lay in the sundry mud and leaves thrown off
Spring Breakers (Dir. Harmony Korine, 2013) Poetry is a place. The world puts you in your place. History dictates the pattern, dead as Saturn’s rings. The world puts you in an orbit from which
Because her local news was buzzing in the background of the phone call. Because the voicesof the anchors wavered as the tally ticked & skipped from double to triple digits while we
The hunger to forget, a flockof questions, a flight of memories.Finishing my life might look like thesephotographs my mother sent me,annotated in her shaky hand with names,leaves that will outlive us all.
and a womb sounds too closeto wound. Every time this happens, I forget the sacred pocketwhere you carried me, buried me like a seed in a citrus grove. Suddenly, I amcrashing my
Still Life with Lack of Nesting The oaks in New Orleans were restless, their rootslike fat fingers rummaging under sheets, pushing sidewalk up to sea level. The streetcar was free—or at least,
Eden Sundays, Tuesdays, Wednesdays brought up in belief before it was mine bible thumping, backneck kinda indoctrination on our hands and knees before the Lord that everlasting ache in the rib of Eve subservient, superpassible by the
The synthesizer forgetting and remembering itself. The four slow notes of time; descending breath of God.It helps that the fish get stranger as you go, and the children either fall asleep or silent. Young
