After Jennifer S. Cheng 1: the sea captured in a glass 2: a homophone for having enough for leftovers, a synonym for abundance 3: the fish, who have already forgotten you. It’s not personal 4: where memory fails, there’s still imagining 5: you. Not as an ocean but outside 6: glass and/or acrylic
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* Voltage-gated pathways are depolarizedand pore-forming membrane proteinsallow calcium influx from adjacent solutions. (Cell insides become saturated) Excitation is mossy fiber runningsouthbound head-stems and paired shootsthrough once-relaxed tissue. * You’ve established rules,preventative
What separates us from our lives / is a see-through thing. /
After 100 days learning German on Duolingo.com Your cow is pretty. I
because there’s something I should tell you,⠀⠀⠀⠀⠀but you’ll need to come to me. I reachand the rock of me stays,⠀⠀⠀⠀ just here where I’m mortared— ⠀⠀⠀⠀⠀ I must, then, own my arms,
At Waitomo, New Zealand If there is no heaven I’ll make due rest my head in the cave of constellations. Look up at The Milky Way pressed against stony pomegranate flesh.
Our bracken pool tidesin the small of your back. I move the earthor the earth is you or⠀⠀⠀ the earth moves usthick in the shadow-dark air.⠀⠀⠀ This once gravityis the law we
Matthew Woodman teaches at CSU Bakersfield and is a graduate of the IAIA MFA program in Santa Fe, NM. He is the author of This Is Not Your Moon, and his poem
Solid Water I wait for the want to come inside of mewhile watching the morning commute near the Amstel. A stork on a houseboat does the samewhile hundreds of cyclists navigate narrow lanes. She
after Hozier Test me again. Let me fail so deliriously. Head rush.Breath hot. Let me feel all my inner intricates only God knows how much I’ve
1. at cracked marrow of the double yellow line extraction crane buckles down bare fork prong crookless end of
each morning, spangling the loton sidewalks, at crosswalks, across the new campusas if grackle stanchion, as if
Scratches in the celluloid / show a frame-rate / his mind shown / in the quick tilt of his head / as he observes a painting / the black-and-white print of his
where you’re –so– worn out ⠀⠀⠀you won’t mind ⠀⠀⠀being wiped out; ⠀⠀⠀hell, you’ll even thank the tsunami for ⠀⠀⠀flicking you off ⠀⠀⠀the face of this ⠀⠀⠀flaming planet far far away ⠀⠀⠀from that
