After Jennifer S. Cheng 1: the sea captured in a glass 2: a homophone for having enough for leftovers, a synonym for abundance 3: the fish, who have already forgotten you. It’s not personal 4: where memory fails, there’s still imagining 5: you. Not as an ocean but outside 6: glass and/or acrylic
Read MoreYou always leave them on the trees to rot & it so pains me to see this every fall those gorgeous pinkish red orbs like pinkish red planets become hollowed a reminder that time
I do understand what would drive someone to chart their loneliness on a grid. I do understand the precipitous tower of books relies on labors paid and unpaid, mine and others, in
2023 Margaret Sterling Memorial Award Winner I am of my mother, my mother is of me. I am my mother’s eyes, deep turquoise, surrounded by deep orange, that I am not of.
2023 Hattie Lockett Award Winner Memory finds me clean. I offer it space inside of my kidneys.It wants to know a face. I don’t have a face I only havehands. Bear the
KISS EVERYONE YOU CAN, FOR SURE — title from Alex Dimitrov’s “Sunset on 14th Street” — a twin cinema for the end of the line & those there with us It was
Abies lasiocarpa (bifolia) PINE FAMILY H 90’; D 18”. Tree with spire-shaped crown; Wait, matted shrub above tree line. Needles 1”,
I. The tongue, and salt, and onion, leek, celery, carrot and a tub of tomato paste all go into the biground enamel blue pot. The tongue of the domesticated animal peeled but
so that I may invent my lungs AIMÉ CÉSAIRE 1. call this radicalized grief call this rigorous animality call this divine sorrow 2. in which there is no innovating loss in which
grace (ge) gilbert is a genderless poet, essayist, and collage worker based in Brooklyn. they are the author of 3 chapbooks, most recently the closeted diaries: essays (Porkbelly Press 2022), and NOTIFICATIONS
Ashley Dailey (she/her) is a writer and multimedia artist from Sargent, Georgia. She mostly writes about family and the cultural legacies of the American South. Her work has received support from the